Ghanaian Afrobeats star Kelvyn Boy is tired of the constant scrutiny. The “Yawa No Dey” hitmaker recently addressed the ongoing criticism surrounding his personal choices, particularly the videos that circulate online showing him smoking. In a candid interview, he pleaded with the public to ease up on the relentless judgment, arguing that there’s more to his story than meets the eye.
The singer didn’t mince words, directly responding to the online uproar that erupts whenever footage of him enjoying a smoke surfaces. He questioned why these moments instantly become fuel for public condemnation, highlighting what he perceives as a double standard. Kelvyn Boy emphasized that artists often grapple with pressures and private battles that remain hidden from the outside world.
According to the artist, his personal habits are a way of coping with the struggles he faces, not a deliberate attempt to stir controversy. He expressed frustration that people readily judge without understanding the underlying context. “Let me live my life,” he declared, “You haven’t seen me involved in any robbery or anything bad, so leave me alone.”
Kelvyn Boy also drew a comparison between the treatment of Ghanaian artists and their Nigerian counterparts. He pointed out that Nigerian musicians often incorporate similar habits into their music videos without facing the same level of backlash in Ghana. He suggested a disparity in how local artists are perceived versus international acts when engaging in similar behaviors.
The singer feels that there is a bias that needs to be addressed. “Nigerians come here and do whatever they want. These same things appear in their videos, and nobody talks. But when we do the same thing, Ghanaians complain,” he stated. He further asserted that the pressures of life in the spotlight are immense, and finding ways to cope should be a matter of personal choice.
Kelvyn Boy didn’t hold back, suggesting that critics need to step into his shoes before casting judgment. He implied that if people truly understood the challenges he faces, they might be more understanding of his choices. It’s a powerful statement about the pressures of fame and the need for empathy.
Ultimately, Kelvyn Boy’s message is a plea for understanding and acceptance. He urges the public to recognize that artists are human beings with their own struggles and coping mechanisms. The incident sparks a wider conversation about the burden of public image and the right to personal freedom, hopefully leading to more empathetic discussions around celebrity culture in Ghana.
